Tuesday, December 9, 2008

Netflixorama: The Third chapter...

Working today through about 3 hours of sleep and the imminent rush of customers who came into Best Buy to buy The Dark Knight on DVD, Blu Ray and whatever else we had that had Batman or Joker's mug on it (we even had decals for the X-Box 360), I knew I had to pick up one of the various copies of the film. I loved it the few times I saw it in theaters, but I've gotten to the point in my life where I can't keep on buying the edition which comes with a mini clown mask or a Batman mask that looks like a bondage lover's dream.

So I decided, until I pony up the money for a PS3 or some various Blu Ray player, I was going to buy the normal 2 disc edition, which has a smattering of bonus features about the making of and whatnot. Sadly, no commentary.

So why am I mentioning this in my newest Netflixorama blog? Well, it reminds me of various comic book movies and even furthermore, reminds me of movies in the superhero vein that I love. Even when they're not so good (guilty pleasure being Sky High, but look at that cast of nerdness) they still bring a tear to my eye. But let's not get into the Elektra's and Catwoman's of the world and instead use this forum to discuss what has to be my favorite M. Night Shyamalan movie.

No, not The Happening. Even though it's so hysterically bad that I need to finally watch it from beginning to end. Anyone want to send me a copy?

The movie I speak about is the only M. Night movie up on Netflix's Watch it Now venue, which is Unbreakable, starring Bruce Willis and Samuel L. Jackson. Who hasn't seen this film? Actually, I was surprised to hear a lot of my friends and family haven't checked this film out, yet have seen The Sixth Sense before it and Signs (which I still think the plot is extremely flawed. I mean, come on... aliens who are hurt by water... come to EARTH??!!?!?) after it.

The origin story of a superhero we've never heard of in a world that is as normal as he tries to pass himself to be. He survives a deadly train derailment, which kills everyone in the passenger cars. Somehow he survives but he just deals with it at first as just dumb luck on his side. But the whole story starts to unfold when he finds a note on his car when visiting a memorial for everyone who died in the accident asking him if he's ever been sick in his life. And what worries him is that he can't remember and when he asks his wife (played by the wonderful Princess Buttercup, Robin Wright Penn), she can't remember any particular time but dismisses it as just being a very long while ago.

The other story revolves around Jackson's character of Elijah Price (or Mr. Glass because of his Type I osteogenesis imperfecta, a condition which basically means your bones are so brittle that they break with any bit of applied force), who believes he's finally found his complete opposite in the world. If he is always sick and gets hurt with ease, there must be someone out there who is on the other side of the spectrum who never gets hurt or sick. And Bruce Willis' David Dunn is hopefully that man. Elijah is a huge comic book fan, who has made his fortune from selling rare comic books and artwork from superhero comics.

So that's the basis for the movie. One man's journey into finding someone on the other side of the spectrum and another man's journey into finding his true self. A feel good movie? In some ways, I guess. But it's also a darker take into the whole origin story of a superhero who might have went through the rest of his life not fulfilling what his destiny truly was.

One of the main pros in this film is that M. Night doesn't have a huge part, just playing a drug dealer at the football field Dunn works at. The other power I didn't speak about more was Dunn's ability to feel if someone is bad in any way. He actually senses it and when he hones his skill, can see a playback of what they've done. A very interesting scene is when he's finally given in and accepted his place in this world and decides to try to do something heroic, and when he's feeling people at the train station in the city, he feels a few different people who have done harm to others. A gang member, a rapist... all people who deserve to be brought to justice. But when he finds someone who is more or less a serial killer, he follows him back to the house where he's taken over and killed the father, so he could attempt to save the rest of the family. This isn't any Spiderman heroics either, but brutal beatdown and choking of the killer until he is dead and sadly, unlike in the comic books, only the kids are saved but the mother wasn't gotten to in time. A very creepy but effective scene to show that the 'real' world is a much harsher place than the bright colors on the page.

I don't want to showcase too many of the set pieces or little nuances that make this film great (but the scenes with Dunn and his son are actually well acted). I'd rather the people who haven't seen this film yet get to watch it and fully take in all the surprises that are in store. All I'll say about the film that is a con of the highest order is the ending. I won't say what it is, but it's something that was tacked on at the last minute because advanced screenings had the audience wondering what the ending was. Sad but true story, one which M. Night regrets to this day.

I know there's been subtle talks about doing a sequel, which I would personally like to see. I'd love to know more about his powers and see him on adventures and trying to be the sworn protector we all know he can become because he's always been more than what he became in life.

So check out Unbreakable as soon as possible. I hadn't seen it since it's release in 2000, so it was like finding a bottle of Crystal Clear Pepsi (which I love but wish there was more of) or the old Cadbury eggs (which are way too small now).

Until next time, the X-Box is shut down.

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Sunday, December 7, 2008

Um... don't remake this!!!



I just don't get it. Why can't people think up film ideas themselves? I'm all for remaking certain films that lacked in certain ways (The Maltese Falcon being a prime example) and some remakes surprised the hell out of me (such as Aja's The Hills Have Eyes, which in some ways I like much more than the original Wes Craven film).

But They Live??? This film has such a special place in my heart that it just boggles my mind as to why they'd want to remake it. It's funny... it seems they are remaking all of Carpenter's films in one way or another. Let's not speak about The Fog or Halloween. That's what makes me shudder. Knowing how royally they can fuck up the whole 'society is blind' concept.

I'll just be crossing my fingers for one of two things to happen. Either it drives itself into developmental hell for the rest of eternity or gets remade by somebody proper.

Remember, according to Hollywood, if it ain't broke, remake it.

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Saturday, December 6, 2008

Netflixorama: The second blog...

We're here for another roundup of the Netflixorama blog. Patent pending. This time we'll be discussing the underrated horror film Tales from the Crypt Presents Demon Knight. A very fun film from the quickly killed off line of Cryptkeeper presents movie line.

Where to begin? Well, first off the cast is something to die for (I'm sorry, the Cryptkeeper got to me with his horrible puns). You have Death himself, William Sadler, The Phantom and the best part of Titanic Billy Zane, CCH Pounder or how most people know her now as Claudette from one of the greatest cop shows ever to be produced The Shield, Roger Corman and Joe Dante's favorite guy Dick Miller, The Sandman Thomas Haden Church (in those Wings hairstyle days), Will Smith's better half Jada Pinkett and last but not least you have one Roger Rabbit himself, Charles Fleischer. A great ensemble cast to start off the proceedings and what occurs during this film is a fun ride from beginning to end.

The movie of course starts off with a little car chase between Mr. Sadler and Mr. Zane while Filter's Hey Man! Nice Shot! is blasting, therefore cementing this movie in the 90's forever (don't get me wrong, I love the song. But what ever happened to Robert Patrick's brother's band anyway?). Of course some crazy stuff happens and their cars crash and somehow both have survived, still chasing one another for something sinister. Sadler gets away and meets up with Dick Miller's drunkard character, who tells him of this place he can stay for the night, which used to be a church but people around these parts stopped believing.

But they'll have to start believing tonight.

This film is lovingly redone in some ways by one of my favorite gore fests in the last 5 years Feast. Not that it's copied it, but I'm all for the similar group of people who don't all get along and have some secrets themselves that are being attacked on all sides by sinister forces. One of my favorite genres in horror, not really done enough.

I'm not going to go into detail because everyone who likes a good time should check it out with some sort of blindfold on. Even if you have seen it like I did many years ago when Tales from the Crypt still aired on Fox late nights, you should go watch it again and notice the performances within it, especially Billy Zane. This movie really makes me miss the poor guy, who's been relegated to doing straight to video shitfests, so it's no wonder when you see him in this film hamming it up as The Collector, a tear will come to your eye at the brilliance of Mr. Zane. I always said he would have been a perfect Destro of G.I. Joe fame.

The demons look pretty convincing, a head gets punched in and then torn off with such ease (and ends with a great gag of 'Head's up!'), and arm gets cleanly ripped off, Roger Rabbit gets his dick and insides ripped out (sadly you don't see it but it's implied impeccably) and lots of head explosions, hearts being crushed and a demon kid explodes into a million pieces with all that's left of him being his high top sneaker. That brings back fond memories of every film that a child gets killed viciously in a horror film. For some reason in horror films it tends to be funny. Can't explain it. Felt bad for the kid in Ransom being tortured and then peeing when he hears Gary Sinise's voice but when the 3 kids going to Mecca in Pitch Black get torn to shreds, I applauded.

Yes, I'm demented. I can't help that.

So to the millions of fans of this blog, go check Demon Knight out. Makes me want to check out the Dennis Miller starring role in Bordello of Blood, but only slightly and because of the Corey Feldman interview showcasing of how much of a dick Mr. Miller was on the set. Makes sense that he's a republican maniac now.

Next time I'll be delving into the world of Netflix again, but it will be a surprise to even myself as to what I'll watch. Could be anything. But this will be written tomorrow, considering I might not have a job anymore. We shall see kiddies!

Til next time, the 360 is off.

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Wednesday, December 3, 2008

Netflixorama: The first blog...

Recently signing up for X-Box Live Gold and having a subscription to Netflix meant one thing to this film fanatic: An even more endless stream of movies to my living room.

You mean I can put a list of 500 of Instant Watch movies and just peruse through them? I have to say my mind melted a bit and happiness prevailed. Considering work has been a bit on the rough side (meaning I hate my job and want to get a new one) and my writing has become stagnant, I needed a venue to get something on the board. Something to keep writing on a semi-daily basis. And a thanks goes out to Microsoft for signing this deal up because my love for Netflix has significantly gone up a bit more. Also a godsend because when we get the DVD's in the mail from them, we tend to not watch them for a week or so, which is just a waste of money in the long run.

So I've been watching tons of stuff, mostly stuff I just don't own on DVD (like Hook, which watching again just makes me love Dustin Hoffman's performance that much more... yet Robin Williams leaves a lot to be desired in the way of Peter Pan. Especially that little Pan hairstyle he's got going on... atrocious). Also have been catching up with my favorite Britcom of all time, Red Dwarf, but was sad to see that the first two series are the re-edited ones done for the 10th anniversary on BBC, I believe. It's like Lucas' redoes, but without any of the finesse and taking out full lines of dialogue that I've memorized since watching this show on channel 31 back on NYC UHF television. Sad, but still funny as all hell.

But then again, I'm not going to waste my time reviewing movies I've loved for many years on here. That's just asinine. Instead I'm going to divulge the films that either I somehow never watched or better yet, might have watched many years ago but now it's like watching it for the very first time.

The first film I did that with was Cotton Comes to Harlem. Where to begin with that film? I had a great time watching this blaxploitation classic that I've always seen the VHS at the video stores but never got a chance to rent it like I did with the larger than life classics of blaxploitation like Superfly and Shaft.

I have to say I wasn't disappointed by this film, directed by the late great Ossie Davis, a great melding of both tradition comedy and a high stakes crime film. Yes, you heard that correct, it had some great set pieces in Harlem, of course, and with the likes of Coffin Ed and Grave Digger on the case, nothing would ever be the same. It has the underlying (and sometimes blatant) theme of racism mixed in with the power someone could have over the poor black families when given a choice that seems almost too good to be true. The whole plot revolves around 87 poor black families who have given a $1000 a piece to go Back to Africa, the campaign held by the Reverend Deke O'Malley to send back his black brethren to the motherland. The only problem is the money is stolen at the rally held for the fund and now it's up to Coffin Ed (Raymond St. Jacques) and Grave Digger Jones (Godfrey Cambridge of Watermelon Man fame).

Red Foxx also plays Uncle Bud, a homeless man always looking to get a quick buck. As usual, he's funny and looking like he's one heart attack away from the promised land. The one scene of note had me laughing loud enough for my neighbors in the other building to shut up for a few minutes was when they're chasing the culprits who have stolen the money, and Ed and Jones crash their car into a watermelon truck, of all things. The look the give each other, especially when Ed just smacks the watermelon out of Jones hand, almost seemed to be a statement about that common misnomer about what black people like in the food department. When asking a few guys at work about that stereotype, I have heard the same thing, "Ugh, I hate watermelon."

It's a back and forth chase throughout, which I don't want to ruin for the few of you who might want to watch it, but finally checking it out, I got where the Cotton part of the title comes from. They find a huge bail of cotton from the south, pure cotton which hasn't been treated yet. I won't go into detail, but it's a very important plot point that makes a whole lot of sense.

You also have a white cop getting seduced by the sultry Iris (played by the epitome of beauty Judy Pace), who somehow convinces him into wearing a paper bag over his head to make love to her but then gets away with him in just his skivvies, a gun in hand and the paper bag on head. Just one of the many funny scenes that will make you think a little too.

Am I thinking too much into it? I don't think so. It deserves a ton of credit for the genre it helped spearhead in the coming decade. Many people point to Melvin Van Peebles' seminal classic Sweet Sweetback's Baadasssss Song as the first in the genre, but the year before had two very different films that pointed in the direction for black people to get noticed in the world of film. They Call Me Mr. Tibbs (another film in the Netflixorama future) and Cotton Comes to Harlem predating Van Peebles' film by a full year.

So check it out, and I'll come back tomorrow with a review on a film that I could have swore I've seen before yet while watching some of it today seemed like a breath of fresh air. That film being Tales from the Crypt presents Demon Knight.

Til then, happy watching..

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