Tuesday, December 9, 2008

Netflixorama: The Third chapter...

Working today through about 3 hours of sleep and the imminent rush of customers who came into Best Buy to buy The Dark Knight on DVD, Blu Ray and whatever else we had that had Batman or Joker's mug on it (we even had decals for the X-Box 360), I knew I had to pick up one of the various copies of the film. I loved it the few times I saw it in theaters, but I've gotten to the point in my life where I can't keep on buying the edition which comes with a mini clown mask or a Batman mask that looks like a bondage lover's dream.

So I decided, until I pony up the money for a PS3 or some various Blu Ray player, I was going to buy the normal 2 disc edition, which has a smattering of bonus features about the making of and whatnot. Sadly, no commentary.

So why am I mentioning this in my newest Netflixorama blog? Well, it reminds me of various comic book movies and even furthermore, reminds me of movies in the superhero vein that I love. Even when they're not so good (guilty pleasure being Sky High, but look at that cast of nerdness) they still bring a tear to my eye. But let's not get into the Elektra's and Catwoman's of the world and instead use this forum to discuss what has to be my favorite M. Night Shyamalan movie.

No, not The Happening. Even though it's so hysterically bad that I need to finally watch it from beginning to end. Anyone want to send me a copy?

The movie I speak about is the only M. Night movie up on Netflix's Watch it Now venue, which is Unbreakable, starring Bruce Willis and Samuel L. Jackson. Who hasn't seen this film? Actually, I was surprised to hear a lot of my friends and family haven't checked this film out, yet have seen The Sixth Sense before it and Signs (which I still think the plot is extremely flawed. I mean, come on... aliens who are hurt by water... come to EARTH??!!?!?) after it.

The origin story of a superhero we've never heard of in a world that is as normal as he tries to pass himself to be. He survives a deadly train derailment, which kills everyone in the passenger cars. Somehow he survives but he just deals with it at first as just dumb luck on his side. But the whole story starts to unfold when he finds a note on his car when visiting a memorial for everyone who died in the accident asking him if he's ever been sick in his life. And what worries him is that he can't remember and when he asks his wife (played by the wonderful Princess Buttercup, Robin Wright Penn), she can't remember any particular time but dismisses it as just being a very long while ago.

The other story revolves around Jackson's character of Elijah Price (or Mr. Glass because of his Type I osteogenesis imperfecta, a condition which basically means your bones are so brittle that they break with any bit of applied force), who believes he's finally found his complete opposite in the world. If he is always sick and gets hurt with ease, there must be someone out there who is on the other side of the spectrum who never gets hurt or sick. And Bruce Willis' David Dunn is hopefully that man. Elijah is a huge comic book fan, who has made his fortune from selling rare comic books and artwork from superhero comics.

So that's the basis for the movie. One man's journey into finding someone on the other side of the spectrum and another man's journey into finding his true self. A feel good movie? In some ways, I guess. But it's also a darker take into the whole origin story of a superhero who might have went through the rest of his life not fulfilling what his destiny truly was.

One of the main pros in this film is that M. Night doesn't have a huge part, just playing a drug dealer at the football field Dunn works at. The other power I didn't speak about more was Dunn's ability to feel if someone is bad in any way. He actually senses it and when he hones his skill, can see a playback of what they've done. A very interesting scene is when he's finally given in and accepted his place in this world and decides to try to do something heroic, and when he's feeling people at the train station in the city, he feels a few different people who have done harm to others. A gang member, a rapist... all people who deserve to be brought to justice. But when he finds someone who is more or less a serial killer, he follows him back to the house where he's taken over and killed the father, so he could attempt to save the rest of the family. This isn't any Spiderman heroics either, but brutal beatdown and choking of the killer until he is dead and sadly, unlike in the comic books, only the kids are saved but the mother wasn't gotten to in time. A very creepy but effective scene to show that the 'real' world is a much harsher place than the bright colors on the page.

I don't want to showcase too many of the set pieces or little nuances that make this film great (but the scenes with Dunn and his son are actually well acted). I'd rather the people who haven't seen this film yet get to watch it and fully take in all the surprises that are in store. All I'll say about the film that is a con of the highest order is the ending. I won't say what it is, but it's something that was tacked on at the last minute because advanced screenings had the audience wondering what the ending was. Sad but true story, one which M. Night regrets to this day.

I know there's been subtle talks about doing a sequel, which I would personally like to see. I'd love to know more about his powers and see him on adventures and trying to be the sworn protector we all know he can become because he's always been more than what he became in life.

So check out Unbreakable as soon as possible. I hadn't seen it since it's release in 2000, so it was like finding a bottle of Crystal Clear Pepsi (which I love but wish there was more of) or the old Cadbury eggs (which are way too small now).

Until next time, the X-Box is shut down.

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Sunday, December 7, 2008

Um... don't remake this!!!



I just don't get it. Why can't people think up film ideas themselves? I'm all for remaking certain films that lacked in certain ways (The Maltese Falcon being a prime example) and some remakes surprised the hell out of me (such as Aja's The Hills Have Eyes, which in some ways I like much more than the original Wes Craven film).

But They Live??? This film has such a special place in my heart that it just boggles my mind as to why they'd want to remake it. It's funny... it seems they are remaking all of Carpenter's films in one way or another. Let's not speak about The Fog or Halloween. That's what makes me shudder. Knowing how royally they can fuck up the whole 'society is blind' concept.

I'll just be crossing my fingers for one of two things to happen. Either it drives itself into developmental hell for the rest of eternity or gets remade by somebody proper.

Remember, according to Hollywood, if it ain't broke, remake it.

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Saturday, December 6, 2008

Netflixorama: The second blog...

We're here for another roundup of the Netflixorama blog. Patent pending. This time we'll be discussing the underrated horror film Tales from the Crypt Presents Demon Knight. A very fun film from the quickly killed off line of Cryptkeeper presents movie line.

Where to begin? Well, first off the cast is something to die for (I'm sorry, the Cryptkeeper got to me with his horrible puns). You have Death himself, William Sadler, The Phantom and the best part of Titanic Billy Zane, CCH Pounder or how most people know her now as Claudette from one of the greatest cop shows ever to be produced The Shield, Roger Corman and Joe Dante's favorite guy Dick Miller, The Sandman Thomas Haden Church (in those Wings hairstyle days), Will Smith's better half Jada Pinkett and last but not least you have one Roger Rabbit himself, Charles Fleischer. A great ensemble cast to start off the proceedings and what occurs during this film is a fun ride from beginning to end.

The movie of course starts off with a little car chase between Mr. Sadler and Mr. Zane while Filter's Hey Man! Nice Shot! is blasting, therefore cementing this movie in the 90's forever (don't get me wrong, I love the song. But what ever happened to Robert Patrick's brother's band anyway?). Of course some crazy stuff happens and their cars crash and somehow both have survived, still chasing one another for something sinister. Sadler gets away and meets up with Dick Miller's drunkard character, who tells him of this place he can stay for the night, which used to be a church but people around these parts stopped believing.

But they'll have to start believing tonight.

This film is lovingly redone in some ways by one of my favorite gore fests in the last 5 years Feast. Not that it's copied it, but I'm all for the similar group of people who don't all get along and have some secrets themselves that are being attacked on all sides by sinister forces. One of my favorite genres in horror, not really done enough.

I'm not going to go into detail because everyone who likes a good time should check it out with some sort of blindfold on. Even if you have seen it like I did many years ago when Tales from the Crypt still aired on Fox late nights, you should go watch it again and notice the performances within it, especially Billy Zane. This movie really makes me miss the poor guy, who's been relegated to doing straight to video shitfests, so it's no wonder when you see him in this film hamming it up as The Collector, a tear will come to your eye at the brilliance of Mr. Zane. I always said he would have been a perfect Destro of G.I. Joe fame.

The demons look pretty convincing, a head gets punched in and then torn off with such ease (and ends with a great gag of 'Head's up!'), and arm gets cleanly ripped off, Roger Rabbit gets his dick and insides ripped out (sadly you don't see it but it's implied impeccably) and lots of head explosions, hearts being crushed and a demon kid explodes into a million pieces with all that's left of him being his high top sneaker. That brings back fond memories of every film that a child gets killed viciously in a horror film. For some reason in horror films it tends to be funny. Can't explain it. Felt bad for the kid in Ransom being tortured and then peeing when he hears Gary Sinise's voice but when the 3 kids going to Mecca in Pitch Black get torn to shreds, I applauded.

Yes, I'm demented. I can't help that.

So to the millions of fans of this blog, go check Demon Knight out. Makes me want to check out the Dennis Miller starring role in Bordello of Blood, but only slightly and because of the Corey Feldman interview showcasing of how much of a dick Mr. Miller was on the set. Makes sense that he's a republican maniac now.

Next time I'll be delving into the world of Netflix again, but it will be a surprise to even myself as to what I'll watch. Could be anything. But this will be written tomorrow, considering I might not have a job anymore. We shall see kiddies!

Til next time, the 360 is off.

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Wednesday, December 3, 2008

Netflixorama: The first blog...

Recently signing up for X-Box Live Gold and having a subscription to Netflix meant one thing to this film fanatic: An even more endless stream of movies to my living room.

You mean I can put a list of 500 of Instant Watch movies and just peruse through them? I have to say my mind melted a bit and happiness prevailed. Considering work has been a bit on the rough side (meaning I hate my job and want to get a new one) and my writing has become stagnant, I needed a venue to get something on the board. Something to keep writing on a semi-daily basis. And a thanks goes out to Microsoft for signing this deal up because my love for Netflix has significantly gone up a bit more. Also a godsend because when we get the DVD's in the mail from them, we tend to not watch them for a week or so, which is just a waste of money in the long run.

So I've been watching tons of stuff, mostly stuff I just don't own on DVD (like Hook, which watching again just makes me love Dustin Hoffman's performance that much more... yet Robin Williams leaves a lot to be desired in the way of Peter Pan. Especially that little Pan hairstyle he's got going on... atrocious). Also have been catching up with my favorite Britcom of all time, Red Dwarf, but was sad to see that the first two series are the re-edited ones done for the 10th anniversary on BBC, I believe. It's like Lucas' redoes, but without any of the finesse and taking out full lines of dialogue that I've memorized since watching this show on channel 31 back on NYC UHF television. Sad, but still funny as all hell.

But then again, I'm not going to waste my time reviewing movies I've loved for many years on here. That's just asinine. Instead I'm going to divulge the films that either I somehow never watched or better yet, might have watched many years ago but now it's like watching it for the very first time.

The first film I did that with was Cotton Comes to Harlem. Where to begin with that film? I had a great time watching this blaxploitation classic that I've always seen the VHS at the video stores but never got a chance to rent it like I did with the larger than life classics of blaxploitation like Superfly and Shaft.

I have to say I wasn't disappointed by this film, directed by the late great Ossie Davis, a great melding of both tradition comedy and a high stakes crime film. Yes, you heard that correct, it had some great set pieces in Harlem, of course, and with the likes of Coffin Ed and Grave Digger on the case, nothing would ever be the same. It has the underlying (and sometimes blatant) theme of racism mixed in with the power someone could have over the poor black families when given a choice that seems almost too good to be true. The whole plot revolves around 87 poor black families who have given a $1000 a piece to go Back to Africa, the campaign held by the Reverend Deke O'Malley to send back his black brethren to the motherland. The only problem is the money is stolen at the rally held for the fund and now it's up to Coffin Ed (Raymond St. Jacques) and Grave Digger Jones (Godfrey Cambridge of Watermelon Man fame).

Red Foxx also plays Uncle Bud, a homeless man always looking to get a quick buck. As usual, he's funny and looking like he's one heart attack away from the promised land. The one scene of note had me laughing loud enough for my neighbors in the other building to shut up for a few minutes was when they're chasing the culprits who have stolen the money, and Ed and Jones crash their car into a watermelon truck, of all things. The look the give each other, especially when Ed just smacks the watermelon out of Jones hand, almost seemed to be a statement about that common misnomer about what black people like in the food department. When asking a few guys at work about that stereotype, I have heard the same thing, "Ugh, I hate watermelon."

It's a back and forth chase throughout, which I don't want to ruin for the few of you who might want to watch it, but finally checking it out, I got where the Cotton part of the title comes from. They find a huge bail of cotton from the south, pure cotton which hasn't been treated yet. I won't go into detail, but it's a very important plot point that makes a whole lot of sense.

You also have a white cop getting seduced by the sultry Iris (played by the epitome of beauty Judy Pace), who somehow convinces him into wearing a paper bag over his head to make love to her but then gets away with him in just his skivvies, a gun in hand and the paper bag on head. Just one of the many funny scenes that will make you think a little too.

Am I thinking too much into it? I don't think so. It deserves a ton of credit for the genre it helped spearhead in the coming decade. Many people point to Melvin Van Peebles' seminal classic Sweet Sweetback's Baadasssss Song as the first in the genre, but the year before had two very different films that pointed in the direction for black people to get noticed in the world of film. They Call Me Mr. Tibbs (another film in the Netflixorama future) and Cotton Comes to Harlem predating Van Peebles' film by a full year.

So check it out, and I'll come back tomorrow with a review on a film that I could have swore I've seen before yet while watching some of it today seemed like a breath of fresh air. That film being Tales from the Crypt presents Demon Knight.

Til then, happy watching..

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Tuesday, November 11, 2008

A film to be made... by moi?

Well, it's been about 2 weeks since I was last on this blog and it's not that I don't care about the few of you who do read my exciting blog of sorts. It's just that with work, apartment hassles and this past election finally out of my system, I can get back into the groove of things and start writing again.

Which leads me to the title of this blog. A film to be made. Not necessarily a feature length one, but instead a teaser trailer of a film that may never be made. Why do you ask am I doing something so bizarre? Is it because people are still into the whole Grindhouse fever? No, I would've jumped the bandwagon the year ago when everyone else was doing it (my personal favorite being Hobo With a Shotgun, which is now being made into a feature length movie.).

The reason is that Tommy, Steve and myself have realized Best Buy is not our lives, but a means to get some cash so we can raise our families and be able to live in our separate apartments. Those two are probably the most creative guys I've ever had the pleasure of meeting, let alone they hold me in high regard for my imagination as well.

So by the end of the year there will be a teaser trailer made. Something horrifying, hopefully getting us known to all the big shots out there. It's part of a grander scheme of things, which is this competition on this site , a Spanish film making site, with some of the greatest horror directors and writers in the field today (creators of both .Rec and The Orphanage, to give two examples). The winner gets a grand prize of $18,000 to putt toward a short film to be completed by September of next year.

I haven't been this excited for a long time. Danyell is fully behind me, even giving me the basis of the idea; the thread of horror that will have people shaking in their little skivvies. The more ideas we were coming up with, the more intense the story became. Soon, if the time permits, I might post up some of either Danyell's or Steve's storyboards for the trailer.

You're going to want to see it to believe it. Let alone come long for the ride.

-James

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Thursday, October 30, 2008

Henry Rollins Double Feature

While battling my zombie eye and the trials and tribulations of a shitty job that could up and disappear at any moment (they like to blame the good workers for former General manager mistakes), I've been watching a plethora of movies, new and old. Especially horror, considering it's my favorite genre (besides the significant genre of the romantic comedy... and if you really know me, you'd know why I'm joking about that).

Tommy, my partner in crime and future co-writer/ co-director came by on his day off, where we commenced on eating some hearty food and watching some good ol' fashioned gore films. And these two had something in common. The one. The only. The best singer in Black Flag and an all around nice guy. Henry Fucking Rollins. Or as Danyell likes to call him, "Our future uncle to our kids". Tommy had brought over Wrong Turn 2 and I owned Feast since the two pack came out, watching it once and loving every minute of it.

Tommy had not seen the insanity within that film. The weird beasts that wear what appears to be a water buffalo on top of what they really are. Sexually deviant beasts who just like to kill, eat and hump. Kind of like mankind, come to think of it. So we watched that one, because it was the one I picked out first. Again having a great time, especially the brilliant performance of one Mr. Rollins, acting outside the box and playing someone he would hate in real life, a self help guru. He gets stripped down to his skivvies and everyone thinks he's going to save the day at one point, until they see his head getting rammed into the wall and ripped apart. Good times had by all. And it has the greatest fake out in many years for a horror film. All I'll say to the people who haven't yet seen it; big time hero comes to save the day. That's all I'll say.

Next up was the sequel to the classic Eliza Dushku vehicle Wrong Turn, which I have yet to see considering when it came out, all I kept hearing was that it was a Hills Have Eyes clone. And I'm a big fan of both the original Craven classic and the redux by Aja. So going into this sequel, we knew we didn't need to know the ins and outs of a hillbilly cannibal extravaganza. We knew it would have plenty of kills, but didn't know how the film would turn out. And all I can say is that it made me want to see the original, hoping that film was as fun and off the wall as this one.

Henry Rollins plays the host to this new reality game show The Apocalypse, a Survivor type show but with the element that it's supposed to be the end of the world and how would you survive. It's the beginnings of the show, and you get to meet all the young and beautiful people who will be on. The first kill is a classic and occurs less than 5 minutes in the film. Patton Oswalt has a brief voice role as the agent of the first girl you meet and say goodbye to in fast timing. A fun kill that really splits people down the middle, if you know what I mean.

But I won't go into details with the film, just saying it's all worth it to see Rollins go into Rambo mode and dispensing of the cannibals in grand fashion. He plays a pure badass, nothing fake about the character he's playing. And it was good to see one of the better Jason Voorhees, Ken Kirzinger, playing the head hillbilly, Pa, with his great hair lip and all. Just a fun film with plenty of inventive kills, some decent acting, plenty of surprises and taking a film that could of been wasted fodder and giving a good name to a franchise. Plus there's disgusting birth scene ala' the prequel to the Texas Chainsaw Massacre, which goes beyond what gore that had within that film. Plus there's incest... what film has all of that and a random scene of incest after a good hacking?

Fun fun fun!

I'm going to sit back and watch a film that I surprisingly had never watched before, Phantom of the Paradise. Edgar Wright calls it a film that surpasses Rocky Horror Picture Show. We shall see if he is correct.

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Friday, October 24, 2008

Saw V

First off, I'm suffering from the worst sinus infection known to man. It's spread to my left eye, which is now swollen worse than a pugilist's face.

So this review will be short and sweet.

Saw V, where do I begin with you? We have a very strange and torrid love affair. One that transcends the usual boundaries a film fanatic like myself and a movie franchise tends to have. There's been highs. There's been lows. And there's definitely been plenty of 'what the fuck' moments sprinkled within. But I've always been entertained by the films.

The term torture porn comes up a lot when referencing these films. I don't see it like that at all. Of course there's some great gore moments, especially in the new film (one involving a pendulum brought back memories of Corman's Poe films of yesteryear). But instead I see the films and its central 'villain' Jigsaw (even though he's been dead since Saw III) about justice and a play on the morals of mankind. Jigsaw's games are there to give the player the chance to redeem themselves; to get another chance in life and to finally see the wrong they've done in the world. Who is Jigsaw to choose this path for them? That's where it gets a bit tricky to side with him, but sometimes I can't help but see where he's coming from. It all stemmed from his choice shown in Saw IV that after his wife, who was in mid-pregnancy) gets robbed and has the baby killed because of a dope head, he then goes the path of a vengeful god, so to speak.

He's their judge, jury and they are their own executioner. They can choose the path of righteousness and be able to escape, as we've seen in every film so far. People have survived these games, not because they were rigged, but they took their second chance at life anew and ran with it. This is very dodgy material, almost religious in some aspects which I tend to not agree with. But it makes for enjoyable material to see in theaters with a raucous crowd.

What did I like? Without spoiling anything about the film, I loved the traps. Always tend to be original, even though they tend to do the same thing, which is main and rip people apart, both physically and mentally. Tobin Bell was once again great in the role of horror's backseat killer Jigsaw. I also enjoyed the whole backtracking throughout the whole series to tie some things together, some plot holes in some cases, all together to show you how in depth their writers sometimes get to make the world as believable as possible. Returning cast members from all the films was also a great nod to the few fans of the series who pay attention to the story and not just to the gore.

What didn't I like? I didn't like that there was a 6 year old in the theater with his parents watching the film. It's weird, for someone like me who grew up with movies in their lives, I didn't watch a R rated film until I was probably 15 or so. Any type of film I would watch that was R in theaters was trimmed to shit on channels like Channel 9 or 11 here in New York City. I also don't like the new villain, only because my brother and I can't help but comment on his big lips. It's something that annoys the hell out of us. I also still hate all the crazy camera effects and jump cuts that has become commonplace in the Saw films. It just rips my brain and eyes out and pisses on them because I know they don't have to resort to such film school tactics.

So did I like the film? Yeah I did. It was enjoyable. Is it a classic of the genre? Not at all. Not even close. But if you want an hour and a half that's better than some of the other drivel in theaters (Max Payne, Beverly Hills Chihuahua anyone?). I'd definitely check it out again. I did miss about 10 minutes while I was in the bathroom attempting to fix my eye.

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Monday, October 20, 2008

Jack Brooks: Monster Slayer

A throwback to the good old days of monster movies with practical effects, no CGI, and a fun lead character with some very bad anger issues.

Was it the best film I've ever seen? Not in the least bit. I saw a bunch of people trashing it on IMDB, which doesn't make much sense, but then when I think about it, that's what people tend to do on that site. And on any other film site, come to think of it.

Jack Brooks witnesses his family murdered in the most horrific of ways, while Beyond the Sea by Bobby Darrin is playing in the background. I bet Kevin Spacey never thought to use that song in such a way.

It was the type of horror film you could tell the people involved really loved what they were doing. Having a bit of fun while also getting a movie done at the same time.

Some good gore effects, a good comedic element that doesn't try too hard (no matter what the fanboys online say), a bad ass lead, some great ridiculous monsters and Robert Englund.

You can't get any better than that.

I bought a few movies today, all horror stuff, because there was a sale going on at Best Buy. The next film on the slate for tomorrow will be Brutal Massacre, the horror mockumentary starring David Naughton, Ken Foree, Gunnar Hansen, Brian O'Halloran and Ellen Sandweiss. I'm hoping for the best. It did get a grand thumbs up from Fangoria.

Hopefully that's a good thing.

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Sunday, October 19, 2008

Watching a ton of movies this weekend

Which is always therapeutic for me. It's weird, films make me feel alive in some ways. And not even just the film, but the whole process of film making and how they go from beginning to middle to end of production. It keeps me intent on becoming a filmmaker myself, which will be happening soon. Too many ideas in this brain of mine to keep them silent.

There's many films I have never seen in my 28 years on this world. But if you came over and saw my decadent collection, you'd think I was a film fanatic (which I am). But Danyell hasn't seen as many films in her life, which makes me watching certain films like they were for the first time again.

This weekend consisted of the following films:

1)The Fly, the 1986 David Croneberg remake of the sci-fi classic. Jeff Goldblum is on Level 9 of Goldblum and Geena Davis was still the beautiful dynamo she was back in yesteryear. The special effects are still on top of their game, with the transformation of Brundlefly to the climatic ending that still makes me smile from ear to ear. Fun times are always had with the scientific update of the classic film.

2)Eastern Promises, another Cronenberg film from last year, about the Russian mob presence in England and the trials and tribulations of a driver for the mob boss's son. A grand film that is still in tune with Cronenberg's festival of the flesh and the poetry of violence that has always been prevalent in his films. A fantastic film that probably has one of the greatest fight scenes in the history of film. Let me describe it like this in a few words; one penis, a bathhouse, russian gangsters, knife wounds and did I mention there was a penis involved?

3)Gremlins, the Joe Dante film that made Steven Spielberg realize that there should be a rating between PG and R. Surprisingly violent children's film from 1984 by the Roger Corman alumnus. Still brings back memories from when I would repeatedly watch it when I taped it off of HBO, the only cable channel that we had at the time. The sadly under-used Zach Galligan and the "I've stopped working since marrying Kevin Kline and having a brood of my own" Phoebe Cates star in this fantastic melding of old monster movies, comedic films and the ol' Roger Corman school of not showing your moneymaker until almost an hour into your running time. Just one of those films that will always make me happy when I see it.

4)The Big Fat Kill segment from Sin City. Clive Owen is at his most bad ass, Benicio Del Toro at his most sleazy, Rosario Dawson at her most sexual dominatrix and Brittany Murphy at her most... bad acting. I had bought the recut and extended 2 disc edition, which has the distinction of having the 4 stories separately if you wanted to watch them. Love the movie to death, especially the tons of making of's that they packed on the discs. Also has the great 'Longest Take' segment, showing Quentin Tarantino directing his segment in the film between Clive Owen and Benicio Del Toro, the scene in which Dwight is transporting the bodies to the tar pits and while he's doing so, he's having a psychotic breakdown in the car, speaking to the dead body of Jackie. A great scene, which was the first Quentin Tarantino shot digitally.

5)Hard Candy, the great David Slade film in which I personally think Ellen Page should have gotten some sort of nomination for as opposed to Juno. Patrick Wilson is somehow as charismatic as can be, even though he is assumed to be a pedophile (for those of you who haven't seen it yet) and the battle of wits and strength between the two of them is one of the best on screen in a very long time. The color scheme throughout is great, really taking into effect the overall feel of the film, the mood is one of the main stars of the film. And the castration scene is one of brilliance, bringing the tension to a height that you can only keep ascending from. A great film that more people should watch, especially everyone who is on the Ellen Page bandwagon. And everyone who will soon be on Patrick Wilson's bandwagon after seeing him as Night Owl in the Watchmen movie.

6)Leon the Professional, the international cut, which throws together the whole lover angle that made tons of people feel very uncomfortable in test screenings. Not sure why though; it's played more along the lines of a young girl who had never had a father figure (even though she did in fact have a father, even though he was an abusive drug dealer) and when she is at death's door, so to speak, Leon, played by the fantastic french actor Jean Reno, takes her in, sealing both their fates forever. It was one of the first films Natalie Portman did, and she's fantastic in it. She's vulnerable, yet has a strength all her own that Leon sees is deep down inside of her and agrees to train her because he does care about her, the first person he's cared for since the woman he loved was killed back in Italy. Gary Oldman plays one of the greatest screen villains put to celluloid in the guise of Stansfield, a pill popping lieutenant on the NYPD who also has a huge drug cartel he's in charge of and doesn't care about killing women and children, something a 'professional' would definitely be against. Luc Besson, who has teased at retiring for the past few years (even though he's doing the trilogy of Arthur movies, the kid's books he wrote in France), was truly on a role back then, with films such as La Femme Nikita and The Big Blue under his belt already. It balances a fine line between comedy, action, romance, and mixes it together with a unconventional father/daughter film, and no matter what people say, it's not that creepy. He's just a hired killer who has never had the time to just sleep on a regular mattress, as opposed to always sitting in a chair with one eye open.

A lot of film watching, some Danyell had seen before, some she had not. A fun time for all, with the usual smattering of Law and Order: Special Victim's Unit thrown in between. Sometimes episodic television can help get your minds off of some heavy subjects, even if it's about sexual crimes.

Until next time, sleep has come for my body.

-James

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Friday, October 17, 2008

2019: After the Fall of New York

In The Year 2019, The Future Depends on One Man.

With a tagline like that, it had to be awesome, right?

If you said, "Yes James, I love knockoffs of Escape From New York and The Road Warrior, especially with lasers and sound boxes that kill little people," then you'd be in the same boat as me when I say that I loved this film.

I'm a huge fan of movies about the wasteland of a nuclear fallout, the type that they always predict but hasn't quite happened yet. It's always the near future, in this case 2019, and in the year 1983 when they made this film, it was still 36 years away. In some ways I liked it better than John Carpenter's epic (and no, nobody could ever match Snake Plissken for sheer intensity) but in the form of Tom Cruise lookalike Michael Sopkiw. This was his first of only 4 Italian genre films, and as an alternative to Kurt Russell's Plissken, his Parsifal (yes, a very... strange name, to be had) does the job amiably. You actually want him to succeed, to score the girl and to defeat the baddies on the way to a rocket ship off of this crazy world.

Directed by prolific Italian genre director Sergio Martino (Mannaja being one of my favorite films by him), he was one of the best at capitalizing on a flavor of the week, making it for cheap and using the best of effects, be it gore effects, backgrounds, locations and even some computer graphics, and making the producers some money means going on to the next film. They really don't make films like this anymore, and I wish for a time when the grindhouse type filmmaking comes to fruition again, which I believe we'll see a revival in the next 5 years or so.

So why else is this film so fantastic? Besides the ridiculous plot of out main hero Parsifal being the best in 'death race' type battles (even battling a car of 4 villains with weapons to the death) and winning himself some licenses to kill (which is strange because there is no actual law against killing), winning a transvestite and then letting her go because 1)he's a nice guy and 2)I don't think he swung that way. The future is desperate but Parsifal isn't that desperate.

It's all the Euracs fault, who are the main force in the world. A very Nazi-esque group, they are the combined forces of Asia, Europe and Africa and decided to bombard America with every nuclear weapon they have and thus making the world a sterile place. Luckily one scientist hid his daughter, the last woman on earth who is fertile and it's every man for himself in regards to trying to plant a seed inside her, so to speak.

Insane? Yes, but it somehow keeps the film going, from one set piece to another. To the old MTA trains of the 80's (you know the ones, all tagged up by some of the greatest artists of that time), to the hiding place beneath the United Nations for the little people I mentioned earlier before, it's just and exploitation film lover's dream come true.

What made me even happier was seeing one of my favorite genre actors of the 70's and 80's being in the film. His name of course is George Eastman, born Luigi Montefiori, but used many aliases over the years, appearing in well over 50 films. In this film he plays a character by the name of Big Ape. Yes, he is an ape man, thus showing they even took some slight elements from the Planet of the Apes series of films. He falls in love at first sight with the scientist's daughter and will stop at nothing at 'making a baby' with the sleeping beauty, in order to keep his legacy alive. What better way then to become immortal in a sterile world?

This film has everything. The gouging out of eyes, head's exploding, rats being skewered, random sex scenes, a woman who looks like the spitting image of Darryl Hannah. You even have a little person throwing himself against some old car to kill himself, so he wouldn't tell the Euracs where his new found friends were hiding.

And of course no great film would be complete without the synth score of the De Angelis brothers, better know as the Onion Brothers.

Go check it out ASAP. You won't be disappointed, especially if you have the same taste in movies that I tend to have. Viva Italia!

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